|Title||Key Route Mural|
|Artist||2005 by Rocky Rische-Baird|
|Date last seen||
The Key Route Plaza mural was a large, colorful mural on what used to be part of a Key System station at Piedmont Avenue and 41st Street. The spot marks where the first Key System train arrived in 1904. The train in the mural is #159, which last left the station at 6:45 pm on April 20th, 1958. The mural is full of meanings, starting with the obvious, giant figure of F.M. "Borax” Smith, creator of the Key Route. When funds ran low for the mural, the artist offered to depict donors to the project riding inside car #159. There are other figures of note through the image as well.
According to Rische-Baird, the mural depicted characters from various times during the whole span of the Key Route's life. The mural wasn't about the train, but about the people it carried and connected with it. Some of the people include:
- Francis Marion "Borax" Smith, who created the Key System (with the large key)
- Granville T. Woods, a brilliant inventor and electrical engineer (with the bolt of electricity)
- a train operator who used to sing Irish songs to the passengers as he drove the train (with the harp)
- the mechanics and engineers who kept the trains running
- people from General Motors and Firestone (who brought and end to the Key System) making secret deals among thememselves
- the soldier carrying oil represents gas rationing during World War II, which led to a boom in ridership on the Key System and appreciation for it
- Susan Svendsgaard and Taylor Fitzpatrick near train doors. Jane Hartman Adamé: My grandparents. He was a painter and she was a music teacher. He’s holding one of his paintings and if you look closely, she’s holding sheet music. After he passed, my grandmother had a gallery featuring his artwork and others on Piedmont Ave.
Photos CC SA-NC-BY Our Oakland
In December, 2014, the mural was destroyed while the space was being renovated for the new tenant, Kronner Burger. According to them, the wall behind the mural was covered in black mold and a former window wasn't properly supported. The artist spent over six months, 8 hours a day painting the mural, and so was understandably devastated to learn about its destruction:
"It seems like this mural about communal loss [ of the Key System ] because of blind consumptive greed has fallen to the same enemy." 1
The artist wasn't notified about the impending destruction of the mural. Whether or not the mural could have been saved, it was such an amazing mural that it would have been worth trying.
The negative Yelp reviews have started coming in for Kronner Burger (even though it hasn't yet opened), mostly based on residents' anger at the destruction of the mural.
An anonymous editor added:
@2015 Update on Destruction of Rische-Baird's Key Route Mural
Now You See It, Now You Don't - How Oakland Was Robbed Of A Great Work Of Art
or The Kronner/Brandel Spin on How to Destroy Public Art ( And Appear To be The Victims)
Destroying Great Art for a Ho-Hum Hamburger
Rocky Rische-Baird's phenomenal "Key Route System" mural, painted on the side of J's Hamburger & Such was not just an extraordinary piece of artwork. it was a loving homage to generations of Oakland residents that resided in and near the neighborhood. Residents who had relatives that worked on the Key Route System, residents that are third generation Oaklanders. With a blend of ethnicities and residents from all walks of life, the mural showed the skill of the Oakland designers, laborers and visionaries who created the Key Route System. A positive work of historical beauty, the Key Route Line Mural is /was exactly what Oakland needs more of. Not less.
The building is currently owned by Hal Brandel ** & other associates. Mr. Brandel also owns Cafe Trieste, immediately next door and Bar Cesar on the other side of Trieste. Mr. Brandel has certainly done well for himself in the bay area real estate scene and kudos' to him for being so successful. Success none the less, funded by the thousands of local residents and visitors that spend money in Mr. Brandel's establishments. No big story here. Mr. Brandel has a keen sense for business and has picked some key spots for investments, including Berkeley.
But, it is Mr. Brandel's assertion that the Key Route Line mural had to be destroyed because it would have cost tens of thousands of dollars to repair/restore the wall behind it. Hmmm. Really, between Mr. Brandel, his associates and the new tenant, Chris Kronner they couldn't come up with the money for this project. Seems like a hard roll to swallow.
When Chris Kronner took over the old J's space he made the decision to destroy the existing Key Route Mural for financial reasons, rather than find an alternative solution that would keep the mural intact. The heart of the problem was supposed years of decay and black mold. Ok. But why wasn't the neighborhood and the artist that created the mural notified of the problem. The artist, Rocky Rische-Baird was not notified of the impending doom of the mural and was contacted after the fact by a concerned resident, not by Brandel or Kronner. *1. The deed was hidden by a "protective tarp". Such protection you should never know from.
"Tricks and treachery are the practice of fools, that don't have brains enough to be honest." Benjamin Franklin
The Piedmont Avenue Improvement League (PANIL) was stunned to learn about the beginning of the destruction of the mural after the fact.*2. “Intensely selfish people are always very decided as to what they wish. They do not waste their energies in considering the good of others.” Ouida, Wanda
Apparently the offer of the local PANIL to start a crowd funding source of income to offset the cost of saving the mural was ignored by Brandel, Kronner, et.al. *3. There were many people ready to support Kronner/Brandel in finding a positive solution to the problem. But money, greed and duplicity won out.
Kronner asserted that he tried everything he could to find a solution, but after his meeting with the PANIL he realized how "aggressively angry" the locals were and decided it was better to not go public with his plans to destroy the mural.*4. So he did so in a secretive underhanded manner. Not the best way to ingratiate your business to your new neighbors.
"Let no such man be trusted." William Shakespeare
Ok, so a hot, well, tepid San Francisco chef comes into a quaint little Oakland neighborhood with big plans for what his under construction web site so boldly refers to as Oakland's Burger Paradise. And he does not want to have a transparent public conversation about his plans to destroy a positive part of the neighborhood that he is moving into, because he realizes there is quite a lot of opposition to his plans. Duh! Is Kronner kidding, a business person in this era that doesn't understand the power of on-line funding. He never even gave the citizens of Oakland the opportunity to step up to the plate and raise the money to save one of Oakland's most important public works of art. Am I the only one choking on this point?
Oh and in an effort to show some kind of Oakland cred's, Kronner states that his partner and business partner has lived in Oakland for twenty seven years. The fact that he is a fairly new resident himself cannot be pumped up by his associations. Where has HE actually lived and worked for the last twenty seven years? Well, he has been doing a pop up in Oakland since around March of 2014. Not that it matters, but if you're going to distort facts to make yourself look like a bigger part of the community than you are, well it raises questions of credibility.
Oakland already has Barney's Burger, True Burger, Sparky's and a dozen or more established burger joints that are definitely upscale in relation to the many fast food burger joints dotting the East Bay. So King Kronner feels that only he can give Oaklanders the best burger via his Oakland Burger Paradise and to do so he needs to help destroy an important piece of Oakland Public Artwork.
Because it would be too costly for them to find a better solution, Kronner and his cronies, Brandel and associates are trying hard to convince Oakland residents that water damage, black mold & crumbling walls were too much of a financial burden for them to shoulder, even with help from public crowd funding. I do believe that there are commercial building owners with less assets than Brandel, who have made major improvements to their properties knowing that their investments would be repaid through future rents and partnerships with tenants. i believe this is called foresight.
As to the extent of the damage. Apparently the damage was due to a covered over window that was walled up for years. Since the rest of the wall is still intact the owners/tenant must have found a way to remove/halt the black mold from spreading further. Mold that was supposedly exacberated by recent rains. Was it the new construction/destruction that allowed the recent rains to pour into the walls.*5. Interesting that they were able to limit the damage to just the size of space that a new window will take up.
And often times excusing of a fault doth make the fault the worse by the excuse." William Shakespeare
In articles about their move, Kronner talked about how J's Hamburgers & Such is such a light and airy space and would be better for Kronner-Burgers chefs to work in, compared to their last space at Bruno's in San Francisco. With the old wall and mural intact, the interior of J's was light and airy. I know that for a fact since I have frequented the place since 1965, through out it's change of ownerships
The currently stark white/blue trimmed facade of the old J's, new Kronner's is just screaming out for a touch of color. Instead of a magnificent mural, perhaps Kronner would be more comfortable with a graffiti tagged business. More San Francisco edgy than the museum quality work of Rische-Baird.
In the past I have enjoyed patronizing Cafe Trieste, but alas cannot envision myself spending my time and money in an establishment who's owner cares not a wit about the art, history and citizens of the neighborhood that he is benefitting from. And as for Kronner's new restaurant, I doubt it will be worth all the hurt it has caused. May it R.I.P. sooner than later.
Bottom line, when a new tenant/owner comes into a neighborhood and destroys much beloved works of art in a secretive manner, using "protective tarping" as a subterfuge and then expects the locals to swallow their story hook, line and sinker, they better be prepared to do a lot of bailing out lest their ship sinks before it ever sails.
*1-5. Credit to http://insidescoopsf.sfgate.com/blog/2014/12/16/kronnerburger-and-oakland-neighborhood-association-at-odds-over-destroyed-mural/
*1.As for the artist himself, Rische-Baird responded via email, stating he was “so disgusted that it’s hard to find words.” His wife, Erica, however, penned a long statement expressing anger and disappointment that a solution could not be found.“I feel so sad and angry about all of this. It simply is not fair,” she wrote in part, adding, “there WAS a choice. And they made the choice, without letting the community or artist have a say. A choice to save it would have taken a bit of effort and time, which the mural was WORTH.”
*2. “Horrified. Absolutely horrified and shocked,” Valerie Winemiller from the local neighborhood association, the Piedmont Avenue Neighborhood Improvement League (PANIL), says of her reaction to hearing the news. “It was a mural that was paid for by community donations, and it was just horrifying and shocking that someone would cut a hole out of middle of it without coming back to community first without any notification.”
*3 Winemiller, however, paints a different scene. She says that she referred Kronner to a muralist friend with experience in restoration and indicated she was willing to kick-start a community fundraising effort to pay for the work, but that she never received a response.
*4 “We did consider making some sort of announcement, but after the laughably aggressive interactions with the neighborhood association, it seemed like it would have just invited more problems and would not have been to anyone’s benefit,” he says. “Yes, it would have been nice for people who wanted to, to say good bye to the mural, but there wasn’t any realistic plan offered up to save it. A decision had to be made, because we needed to move forward … It’s a bummer that it’s gone, but there wasn’t anything that could be done. I did my best.” Chris Kronner.
*5. Some residents, however, discovered late last week that the mural, which had been covered by a blue tarp to protect it from the rain, had been partially destroyed when a large chunk of the wall had been taken out to expose and reinforce a previously covered-up window.
*Hal Brandel is a Member of 4 Musketeers S.P., LLC and holds active roles in eleven companies and inactive roles in five additional companies .
4 Musketeers S.P., LLC filed as a Domestic in the State of California filed on Monday, March 29, 2004. This corporation is approximately eleven years old according to documents filed with California Secretary of State. 4 Musketeers S.P., LLC also lists Walter Wright as Member.
**Hal Brandel's additional active roles include:
• Managing Member of 2439 10th Street, LLC
• Member of 4 Musketeers-Piedmont Ave. LLC
• Member of 2514-2520 San Pablo Avenue, LLC
• Member of 2530 San Pablo Avenue Associates, LLC
• Member of 2801 Adeline LLC
Hal Brandel is connected to other officers through these corporate roles. One of the top connections is CA1 .
Another anonymous editor wrote:
Unfortunately, the mural had been painted on a wall that had been improperly installed in 1961 by the then-tenant, J.O. Kirby, to replace a window that interfered with Kirby's plans for the space. In November 2014, a contractor working for the new tenant, Kronner Burger, opened up the wall from the inside and discovered that the wall was falling apart, leaking water, and basically ready to collapse, creating an imminent safety hazard. The owner of the building, Steve Eigenberg, told Steve Lydon of PANIL to contact Rocky Rische-Baird to see if he had any interest in repairing the wall, since Rocky had agreed to be fully responsible for the mural when it was originally painted.
It is not clear whether PANIL was able to reach Rocky, who had since moved away from Oakland. After three weeks without any commitment from the artist, Mr. Eigenberg authorized the tenant's contractor to make the necessary repairs to the wall to eliminate the public safety risks. Given the fragile state of the wall and the size of the window opening, it was not possible to preserve the removed portion of the mural in one piece. The pieces were delivered to the family of Rocky's wife, who still live in the area.
PANIL has make statements to the effect that Rocky wasn't notified about the potential removal of the mural. If this is true, it is only because PANIL was unable to track him down once it became clear that the wall was unsafe. PANIL has also asserted that they were, in their words, "stunned" to learn that the mural had been taken down. Again, this is disingenuous, since PANIL knew that the wall was in terrible condition and that it was up to Rocky to try and fix the problem. Given the atrocious and unsafe condition of the wall, the proposal for a crowd-funded solution was not realistic. Neither was the suggestion that Kronner work with a "muralist friend with experience in restoration," since the problem was not a damaged mural, but a crumbing and unsafe wall underlying the mural.
Links and References
- Key to the Past San Francisco Chronicle April 3, 2005
- Oaktown Art blog
- Key Route Plaza mural is gone Our Oakland
- Kronnerburger and Oakland neighborhood association at odds over mural Inside Scoop, SFGate.com
- Piedmont Avenue: Landmark neighborhood mural is destroyed Oakland Tribune December 17, 2014
- Oakland Community At Odds Over Moldy Mural ABC7News.com December 18, 2014
- Kronner Burger's Public Art Controversy in Oakland the Bold Italic December 18, 2014
- more about the Key Route Plaza mural Our Oakland